Peter Marino and J. Tomilson Hill in conversation with Denise Allen at Sotheby's Jan. 30 2019 . MUNIZ: So what project was most satisfying to work on? I just say, “Oh, please, get over it. Margaret Russell in Conversation with Peter Marino and Michael Shvo at Design Miami - Duration: 4:48. MUNIZ: I’m not gonna even respond to that. Peter Singer, professor of bioethics, with a background in philosophy. MUNIZ: Beyond Warhol, you have an impressive list of high-profile clients—huge personalities. So I presented the chair, and Calvin immediately said, “Well, what would Calvin think about this chair?” I got all weirded out and went, “Last time I checked, you were Calvin.” But he was considering Calvin Klein as a brand beyond him. Peter Marino honored by Chanel, 57th St boutique opens in NYC Jan. 16 2019 . We’re working on Vuitton stores in London, Rome, and Las Vegas, which is fun. Put that on my tombstone: He discovered a new type of glass. Considered one of the world's leading moral philosophers and a founder of the effective altruism movement. When you design someone’s house, it’s actually painful. Peter Marinos . But the Guggenheim and the Niemeyer just aren’t good buildings! Join Facebook to connect with Peter Marrino and others you may know. His first retail project was the flagship store of Barney’s New York on Madison Av., followed soon by the Armani boutique, also on Madison Av. Not only can you not hang a single painting on the outside wall, you can’t hang one on the inside either, because the sunlight through the windows would ruin it. It’s so pathetic. [laughs]. He got his start in the mid-’70s, renovating the Upper East Side townhouse of Andy Warhol and the third “Factory.” Today, Marino is one of the biggest names in buildings. Marino received A.I.A. MARINO: The truth is, it’s a good space for a motorcycle show—much more than for paintings. People’s first homes are always disasters. MARINO: One of my first fashion clients was Calvin Klein. Peter Marino works a great deal in commercial, cultural, and residential fields, as well as retail. MUNIZ: But there must be some difference between designing residences and designing stores. We’re working on a big Chanel store in China. It’s like he’s saying, “Here, have your fucking galleries with straight walls, okay?” Which isn’t exactly what artists are asking for either. I feel seriously dangerous in a car after riding on a bike, because your field of vision is so closed in. . MARINO: It’s generally to be avoided, and that’s no joke. I’m so old-fashioned that I still believe that. Peter Marino, FAIA, is the principal of Peter Marino Architect PLLC, an internationally acclaimed architecture, planning and design firm founded in 1978 and based in New York City. MARINO: When I go through Bryce Canyon in Utah, my field of vision is huge. The whole point of this office is to use both sides. Read More: The Design Extravagancy of Peter Marino. I find it embarrassing for them. He knows how to work for any number of competitor… . In 2006 he was named Most Influential by the New York Magazine for his contribution on the fashion industry. But you also dress like this when you’re not riding. When you get to a certain point, those figures reverse. Songs ↓ Credits ↓ Song Highlights Interview Magazine: The Crystal Ball of Pop. MARINO: I always want to encourage young artists. Learn more about Peter Marino . I wondered if you design thinking in terms of stage settings. The difference is crucial. It’s interesting to see where people are putting the emphasis, you know? My reason for collecting Bibiena is that I loved the whole one-stop shopping aspect of former monarchs. We did his first freestanding stores. See more ideas about peter marino, design, interior design. His signature look is full-on biker: black leather pants, boots, and cap, with a tight black T-shirt over bulging biceps, and often a pair of black shades. MUNIZ: But you also work more intimately with some of these personalities. If you go the other, it’s 40 decorators. Hotels are finished, you know?MUNIZ: You have always been quite an experimental designer. A year ago, every country in the world was saying, “Want to do a hotel?” And I said, “Sure.” And we stopped doing a big hotel in Morocco and another in Croatia. Francesca Marani, When Ethics meets Aesthetics • The exhibition, by Peter Marino. With the Ginza Chanel store, for instance, you used a lot of video. Just click the "Edit page" button at the bottom of the page or learn more in the Biography submission guide. MARINO: The older I get, the less I negotiate. His signature  “all-black-leather” look surely clashes with the purity,  the lightness and the chic of his  design. For a store like Chanel, you’re dealing in desires. Peter lived in 1920, at address , Michigan. [Muniz laughs] It’s easier this way. And then I think about all these little bourgeois people driving around in their cars—it’s actually hideous. MARINO: No, because it’s a profession. Showvision presents talent for corporate events, public sector … MUNIZ: There’s such a divide between architects and artists now that there’s a museum in Rio that houses the largest collection of Brazilian paintings. Peter Marino The archistar of the stars. Look at my office: If you go one way, it’s 100 architects. Peter, who often refers to himself in the third person as Pedro, is one of the most renowned architects and designers, winner of gazillion of awards and  commander- in -chief of a two story studio in Midtown Manhattan filled with contemporary art  and photography. He  is by all means  a true study in contrast. [laughs] So, yes, these people do have very large-scale personas outside of their human flesh and blood. I really love direct response, and that’s very pop. A Chanel in Singapore and Vietnam . I’m not going to cut back. It’s no longer a reflection of them—they can just have fun with it. Where have you been? One of his artistic collaborators and good friends is Brazilian artist Vik Muniz. It always gets better. MUNIZ: That’s why I like three-wheelers. We’re working on projects in the Middle East. No surprise: it’s Peter Marino, the archistar who revolutionized the concept of the high end  boutiques worldwide (Chanel, Dior, Fendi, Louis Vuitton, Ermenegildo Zegna, to name a few), and created some of the most exquisite spaces for the rich& famous ( from Agnelli to Warhol and everyone in between). You collect my work and come to my studio and we talk about art, but we seldom talk about architecture. So what I say is, “Just pretend this is your eighth home. Jul 21, 2016 - Explore Lindajane Keefer's board "Designer: Peter Marino", followed by 10247 people on Pinterest. You can see video on the outside of the building, but you can also see through it when standing on the inside. MARINO: As a client, Andy’s taste was so Catholic. When you’re 20, you think the whole world is talented, but whenyou get older, you realize the opposite is true. All Rights Reserved. And yes,  he grew up in New York,  but he speaks with peculiar British accent which sometimes  lapses into American teenage slang. MUNIZ: But you’re—I don’t want to say a one-stop shop—but you’re an architect and a designer. MUNIZ: You also put a lot of contemporary art in your projects. MUNIZ: Did you see a surprising change in direction with the drop of the economy? I know some people do, but I don’t. He’s designed more high-fashion boutiques in high-fashion capitals than any other architect in the business. You were a product of the cultural environment in New York during the ’60s and ’70s. I never say, “This house will be a total reflection of you and any defects in it will make you look defective.” [laughs] But people do expect their homes to be reflections of themselves. MUNIZ: And how does Peter Marino feel about that? Peter Marino. [laughs] When you first start out, it’s 90 percent negotiation and 10 percent suggestion. MARINO: That’s the thing about flexibility. Peter Marino is internationally renowned for his design process that integrates architecture and art. It’s never as good as later on. Milano n. 00834980153 società con socio unico, I bracciali Rose des vents di Christian Dior - Esclusiva Vogue.it, Beauty Tutorial: How to do cat-eye makeup like Jasmine Sanders, a.k.a. By then you won’t care.” People start loosening up around number five. By Vik Muniz Photography Magnus Unnar. Do you really want to sit next to a kidney expert and hear him talk about kidneys the whole time? . I never use fake stuff. His signature look is full-on biker: black leather pants, boots, and cap, with a tight black T-shirt over bulging biceps, and often a pair of black shades. In 2010 Peter Marino was among Architectural Digest’s top 100 International Designers and Architects, and the World’s Top  30 Architects by Robb Report. MARINO: I don’t think of my work that way. Working for Andy opened up a lot of doors and allowed me to like a lot of things that they tell you in architecture school you aren’t supposed to like. He tried to make what he called traditional galleries. 1 designer of the luxury landscape, the man who best understands how to move a customer on any continent through salons full of leather and lipstick and straight to the register. MARINO: A lot of projects that we had been working on stopped. MARINO: I wanted to be an artist, because it’s a much better scam than being an architect. But the first one is excruciating. Peter had 4 siblings: Betrice Marino and 3 other siblings . You wear a helmet and black leather on the road for protection. MARINO: Yeah, he tried. MUNIZ: See. I mean, no one’s gonna pay for that type of development at the moment. Is there a pop influence to your work? c.f e p.iva reg.imprese trib. MARINO: Yes, we’re trying to create desire from the very first moment a person walks in. I don’t think that’s the solution either. Best known for Animal Liberation and his writings about global poverty. It’s interesting what [Frank] Gehry tried at Bilbao. . He threw together rectangular boxes on the floor plan, and he said, “I know this will work for paintings.” Then I’ll do an unrelated edifice that wraps them, leaving all of this bizarre space in between. You can’t have sloped walls. I don’t know what rock you’ve been living under, but you have to crawl out.” So, in a sense, I do have a Warholian thing going on. Normal clothes? awards for his Chanel stores in Osaka, on Robertson Blvd in L.A., and in Rue Cambon in Paris; for the Fendi  boutique in Beverly Hills, for the Zegna flagship store in NY, and for the Louis Vuitton store in Hong Kong. In stores, the public is one inch from everything. Peter Marrino is on Facebook. How do you differentiate your roles as architect and interior designer? What we do is permanent and so expensive. He was very exact and precise. MARINO: I don’t talk about myself in the third person. MUNIZ: What was the difference between Warhol the artist and Warhol the client? For me, Warhol and pop obliterated all of those separations—that was the whole point of the Brillo Boxes and Campbell’s Soup Cans. MARINO: It’s really hard to come up with something new, because you do sketches all the time, then someone tells you, “This was done two years ago in a restaurant in Hong Kong.” It’s really hard in the design world to do anything new. Peter Marino was born circa 1914, at birth place, Michigan, to Peter Marino and Vitina M Marino. MUNIZ: We’ve collaborated together on a few projects, and you always give me flexibility. MARINO: Throughout history, from Abyssinians and Greeks onward, artists, sculptors, and architects have worked together. © 2020 Interview Magazine. MUNIZ: If you hadn’t become an architect, what would you have done? Because there is all of this leftover space, just to give him the effect that he wanted on the outside. If someone has talent, you let them do it. 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